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Odyssey
04:11
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Birds Oracle
07:26
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Strange Starry Night
07:56
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S.K Records Lyon, France
S.K Records started in 1998 around a few bands of the Lyon area. We decided at that time to start sort of a cooperative network to publish our releases. Most of them were selfproduced, hand crafted. Nowadays the roster has changed a little bit but apart from that the spirit is pretty much the same. Releasing chalenging quality music and maybe a few other things coming out of our D.I.Y community. ... more
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Everywhere at the end of time
by The Caretaker
supported by 9 fans who also own “Pan And The Master Pipers”
Actually astounding and emotionally moving, creating a community that I have been proudly a part of for 2 years
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supported by 6 fans who also own “Pan And The Master Pipers”
Giving this a front-to-back listen is a Halloween tradition for me.
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We, so tired of all the darkness in our lives
by Leyland Kirby
supported by 5 fans who also own “Pan And The Master Pipers”
During the final days of writing my thesis I listened to this album on repeat for hours at a time. It was like being suspended in one eternal moment while all that changed around me were the ripples and eddies of a slowly meandering river.
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The Soft Cavalry
by The Soft Cavalry
Dreamy debut from the husband-wife avant-pop duo of Slowdive’s Rachel Goswell and musician Steve Clarke.
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Wires Turned Sideways In Time
by Duncan Marquiss
Scottish artist swaddles ’70s krautrock grooves in guitar-based ambient, resulting in drone music that feels strangely featherlight.
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There's lots of depth and sunken low-end to the spiraling space rock made by Mint Field, augmented with twinkling electronic flourishes.
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A Bureaucratic Desire For Extra Capsular Extraction
by Earth
supported by 4 fans who also own “Pan And The Master Pipers”
L'espace d'une seconde, j'ai eu l'envie d'écrire que A Bureaucratic Desire For Extra-Capsular Extraction était une chevauchée fantastique ; mais je me suis dit que, en considérant le poids du drone/doom metal plombé de Earth, j'avais l'impression d'être sous les sabots des chevaux plutôt qu'en selle. Cette compilation ne renferme que le désespoir (la performance de Kurt Cobain sur "A Bureaucratic Desire For Revenge") et la crasse (Joe Preston piétine tout de sa batterie sur"German Dental Work").
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